Medium: Textiles
Size: 30.5 x 29.5 cm

The work was created in the temporal context of the events of October 7, 2023, and those that followed. They are part of the series textile pieces, which engages sensitively and intuitively with existential and societal questions.

Medium: Textiles
Size: Variable

This series is shaped by the unsettling questions of Bataille’s Erotism: Death and Sensuality, tracing the threshold where desire approaches its final limit. It explores the moment when attraction and annihilation intersect, not as a literal narrative, but as a material and spatial experience—where intimacy becomes a site of tension, and the body is both invitation and boundary.

Medium: Textiles
Size: 55 x 38 cm

The piece presents a triptych of Lenin’s profile, rendered through a deliberately Dadaist logic—fragmented, repetitive, and performatively distanced from any single historical reading.

Medium: Textiles and “ingredients” (sewing materials)
Size: Variable

The textile pieces are a body of work that emerged in the gesture of a sketch. They do not claim a fixed meaning, but rather a form: a way of translating feelings into material – into color, shape, and seam.

A textile piece can stand alone or be part of a series – framed or installed in space. In a domestic setting, it appears less like an image and more like a textile scene.

Installation in the Bloom Exhibition Space, Düsseldorf
Curated by Jisue Byun

Medium: Textiles, Television, Wall-mountable output device
Size: Variable

Under the extraordinary circumstances of the 2021 lockdown, a duo exhibition with the artist Jürgen Krause was organized in the BLOOM exhibition space in Düsseldorf. Curated by Ji Sue Byun and programmatically titled Distant Call, the show reflects the experience of distance in form and content, while simultaneously creating a space—despite pandemic-related restrictions—where art and culture can be experienced again.

In the shop window, the video performance Tagebuch der bösen Taten 19 I (Diary of bad deeds 19 I) is running on a screen: A speaker reads from chapters of the Diary of bad deeds. The sound, captured via a contact microphone on the windowpane, can be heard like a whisper on the sidewalk. After every secret confession, the video images show the artist—an act of additional penance—putting on her Bet-Handschuh (Prayer Glove). This custom-made functional garment encloses the hands in a praying posture and can only be put on with the aid of the mouth.

Two models of the Prayer Glove are positioned as artifacts in the exhibition space, thus functioning as a link between the performance and the series of Textile Pieces, which were visible on a linear wooden pedestal in the center of the room.

Image 1-11 textile pieces, 2022
Photos by Felix Adam

Image 12-16 Installation view textile pieces, Diary of bad deeds  19 I and Prayer Glove for the exhibition Distant Call, 2021
Photos by Achim Kukulies

© VG Bild-Kunst, Bonn